It is guitar or bass compatible, features studio quality sound, and has true analog bypass, instant program change and 40 factory presets. The PitchFactor takes ten of Eventide’s signature stereo or mono pitch and delay effects and successfully crams them into a stompbox that you can fit on your pedalboard or in your backpack.

It’s almost too good to be true-a little stompbox that retains many of the sounds and the high quality found in other high-end Eventide products, but with a price you can afford. I always thought of them as very high quality pro-audio rack effects, with a price that was out of reach for many musicians.Įventide is now offering three stompbox effects that are portable and affordable: The PitchFactor harmonizer, the TimeFactor twin delay, and the ModFactor modulation effects unit. Later when I started doing a lot of studio work, I would always see an Eventide in the racks of major recording studios around town. I first heard the name Eventide in the ‘80s when guitar heroes like Eddie Van Halen and Steve Vai were using their products to make their tones sound incredible.

Burns Brian May guitar>DigiTech Brian May Red Special pedal>Eventide Pitchfactor>Digidesign Pro Toolsĭownload Example 3 4 mini-clips showcasing the Harpeggiator effect using various presets Burns Brian May guitar>DigiTech Brian May Red Special pedal>Eventide Pitchfactor>Digidesign Pro Toolsĭownload Example 4 MicroPitch effect: 2 mini-clips showcasing the tone-fattening from the MicroPitch effect Carvin CS6M guitar>Marshall Haze 40 amplifier with Eventide Pitchfactor in effects loop>recorded with a Shure SM81 microphone into Digidesign Pro Tools Only one guitar pass was recorded – no overdubbing. Fender VG Strat>Vox Tonelab LE>Eventide PitchFactor> Digidesign Pro Tools.ĭownload Example 2 Harmonizing Brian May style: Quadravox effect. Download Example 1 3 clips demonstrating the Pitchflex, Crystals and Synthonizer effects, with no adjustments.

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